Summer Boys

We made it a summer habit to walk along slick stone, to fumble across (often) or gracefully traverse (seldom) the cliffs that reached over the ocean’s edge. Some nights, I felt brave: I didn’t know how to swim and was afraid of heights. If I looked out and down towards the horizon, I would feel the nauseating tension that accompanied being near an identified risk, my nervous system calculating all undesirable outcomes with every near slip. So I did not look, or at least not often enough that I’d falter. And even then, my sight would only rest on where the sky and the ocean met so that I could see that my life, however meaningless, existed within a world as beautiful as it was dangerous.

I never knew if you could swim, and I guess I’ll never find out now. I didn’t know if you, like I, were afraid of heights. And looking back at that time, it’s almost certain I didn’t care about more than your presence beside me.  Mine, mine, mine. Young love is selfish, isn’t it?


I put my change in a mason jar

A piece for every lie you told

Bar the most important one

Age of the Water Bearer

From the beginning, you journeyed for a more favorable sign. Still, I adored the problem that was you, even as the trials became more than I could bear. I was challenged through my hope to divert your path to my constellation. In the end, I did myself no favors. The mythology of “us,” by way of oral tradition, remembers me reckless, elides the contradictions that passed your lips.

I lost my own course in chasing you, water bearer. You were immutable and animated by air, drawing oxygen from the lungs of nymphs. At times, I felt your equal. More often, you reminded me that I was not. You did not desire complementary angles; the shape you sought in the stars overlapped with yours, as if you needed some version of a her that reinforced your bones.

Even as the sun’s proximity to Venus predicted our lives would decouple more abruptly than the event of their crossing, I was unprepared for your absence. Devastated by loss and to lose. And I’m more sorry than your audience will ever know, both for myself and (as time goes on, less) for you. Because you see, I never wanted to fall in love.


For too long, I played the contortionist, bending without breaking until I fit the shape of the scripts you provided. My existence in your life was carefully curated and intentionally finite. Amber, you were fun. You were easy. Even then, my performance was reviewed in the context of your narrative, my character some reduction of fiction designed only to advance the plot.

But no woman wants to live as someone else’s story. When I refused to be reduced, you destroyed the version of me you created. Worse, you were vindictive over my exit from the role; you made me doubt that I could live as more than just a subplot, too desperate in my need to be at the center of the tale and too broken to deserve it.

Some Love

For a time, I embraced the
nameless frequencies.

(The sounds & vibrations created
between our tongues & teeth by
flesh within flesh & nights
barely dreaming so often falling
awake to resonance of thoughts)

For a moment, I saw myself as
brave: to be so casually vulnerable,
I put away the barriers –

& so noise rushed in, provided entry,
reverberating in the hollow spaces.

After time, I asked but more often
begged: rearrange these sounds,
create a language we can share.

When I named our frequency, it was
with knowing your response:
For me, it was only meant as fun.

Some love can live only left undefined.
Given words, it loses shape –

& I call it love changes to
another sound for pain.