Because I’ve blocked my father’s number and his social media accounts, he now leaves me comments on a blog I use to host my half-finished prose and unrefined poetry. His latest offering is in keeping with his descent into schizophrenia:
Seeing one’s self as weak provokes the mind into its own (being planted by an embraced past; what one doesn’t let go of only creates one that knows its role) victim mentality… Don’t allow another’s weak guilt to imprison you.
Stand up, because you’re more intimidating than the weak $$$ that imprisons you. LET NO ONE’S NARRATIVES WRITE YOUR FUTURE!
~see your delusional daddy
I delete his response to a poem I wrote about my struggle with bulimia, about my fear of dying over a toilet or losing my teeth. (Writing can never fully explore the fears I face, or the nightmares I live with. I dream of my incisors falling out; I wonder when I’ll bite into an apple and find that my front tooth has finally become dislodged, the slow erosion of my gums eventuating in the inevitable.) I’m not sure what he means, yet the incoherence still disturbs me.
Victim mentality? I think. I am imprisoned, but not by guilt. And I am a victim. I’m tired of pretending I’m too strong to not be.
Home movies. Remember those? I sit in the basement of my step father’s house, the TV flickering to life as soon as I push the VHS into the tape player. I’ve picked the one labeled May 23rd – Amber’s Birthday. I’m turning thirteen in a few days. The choice feels appropriate.
My father stalks my mother with the video camera. This is how his home movie opens. He narrates using that voice, the one that’s more sinister and frightening than outright anger. Controlled contempt, I would later call it. A lash worse than all the times he slapped me. In the movie, he directs this verbal violence towards my mother. The image he portrays of her – fat and unkempt, her arms as wide as pillows, eating chocolate – is not enough to sate the part of him that feeds off pain.
“Look at the hippopotamus,” he says loudly enough that my mother’s head spins, “look as she grazes.” She brings her hand up towards the lens, her fingers and palm and sagging skin obscuring the view of our tiny kitchen.
Sharp cut. Now there’s me, a small child, my face red and wet. I’m wailing on the top bunk. I look like some soon to be victim, as if I were one of the dumb girls in the horror films my mother and I watched together. My father is Freddy Krueger, among the few – or perhaps the only – horror villains that emotionally tormented their prey before slaughtering them.
“Oh, why is the birthday girl crying?” He uses the same tone as before, when he deemed the woman that gave birth to me and his two other children a hippo.
When I think back to my birthday, I don’t remember why I was in tears. After all, I was only five years old.